Lynnette Widder
Lynnette Widder works on sustainable, resilient and equitable built environment practice. Her architectural work has been featured in the New York Times, on HGTV and in other US, European, Asian and Australian publications; and currently focuses on low-embodied energy, low-carbon renovation of Modernist buildings, including an award-winning renovation of Kaneji Domoto's 1949-50 Lurie House. As curator, she has mounted exhibitions at the AIA Center for Architecture, SUNY Purchase, Georgia Institute of Technology and Washington University in St. Louis. Her research has been funded by the Mellon Foundation, the AIA New York Center for Architecture, the Graham Foundation, the German Academic Exchange (DAAD), Fulbright, the UN Development Programme in Guinea, Columbia World Projects and the Climate School at Columbia; and she has held fellowships from the Institute for Ideas and Imagination in Paris and MacDowell. She is the author of Year Zero to Economic Miracle: Hans Schwippert and Sep Ruf in Postwar West German Building Culture (gta, 2022) and co-authored Architecture Live Projects: Pedagogy into Practice (Routledge, 2014) and Ira Rakatansky: As Modern as Tomorrow (William Stout, 2010). Her non-fiction writing has appeared in the Oxonian Review, Daidalos, Bauwelt, Architecture, Manifest, Kritische Berichte, the Journal of Industrial Ecology, and The Social Science Journal; and her fiction, in Northwest Review and Camera Obscura. She has also taught at Rhode Island School of Design, ETH Zurich, University of British Columbia, Cornell University, Cranbrook Academy of Art and City College of New York.
Working Group: Seeds of Diaspora